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Shortlist Jury Session at the PhotoBookMuseum in Cologne, 08.03.2025

Dummy Award 2025

395 books from 48 countries were submitted for the 2025 Dummy Award. The shortlist selection resulted in 50 photobooks. 

Congratulations to all shortlisted authors and a big thank you to all artists that took part in this years Dummy Award. Your participation means a lot to us and keeps the award alive every year!

The Shortlist 2025

Browse all shortlisted books on our Youtube channel 

Sandra Guldemann Duchatellier, FR

une fable Égyptienne

16,5 x 22 cm, 152pp
open spine, softcover

@sgduchatellier
sandraguldemannduchatellier.com

Amina Falah, DE

Reise des Unsichtbaren

18,5 x 26,5 cm, 144pp
open spine, hardcover with a foldout

@soulofmind
amina-falah.myportfolio.com

Mikael Buck, GB

Sorry About That

11 x 18.5 cm, 156pp
softcover

@mikael_buck
mikaelbuck.com

Eva Rivas Bao, IT/AR

Imane Fadil

26,6 x 32 cm, 48pp
perfect binding, softcover, dust jacket

@evarivasbao

Antoine Woeffray, CH

I unfold my skin in the morning

21,3 x 26,9 cm, 160pp
perfect binding, softcover

@antoinewoeffray

Roz Doherty, GB

The Golden Age of Hijacking

20 x 25 cm, 130pp
comb binding, softcover & hand-sewn zine

@rozdoherty
rozdoherty.com

Stefaniia Bodnia, UA

Coal Mine, Land Mine, The Body of Mine

27,5 x 20 cm, 104pp
open spine, softcover with a flap, French-fold dust jacket

@stefabodnia
stefaniiabodnia.xyz

Javier Talavera, ES

Not all bald men with beards are Javier Talavera

29,8 x 22,8 cm, 16pp
saddle stiched, die-cut softcover

@javier.talavera_
javiertalavera.com

Sveta Kaverina, RU

The Garden of Earthly Delights

21 x 29,7 cm, 140pp
Swiss binding, softcover with a flap

@svetakaverina.photography
svetakaverina.com

Fabio Domenicali, IT

Teren Zielony

27,5 x 27,5 cm, 136pp
open spine, flush-cut hardcover

@domenicalif

Martin Ruckert, DE

Baryt 2.57

21 x 26 cm, 84pp
Wire-O binding, PVC cover 

@martin_ruckert
martinruckert.de

Joshua Deaner, US

An Honest Liar

20 x 25 cm, 106pp
perfect binding, hardcover

@joshuadeaner
joshuadeaner.com

Takuma, Misumi, JP

YoYo no Shiori

14,8 × 21 cm, 60pp
leporello, hardcover

@mismith0227
mismith.me

E. Onur Ceritoğlu & Okay Karadayılar, TR

Çıkmacılar

16,5 x 24 cm, 496pp
perfect binding, softcover

@baskonusbirakdinle
onurceritoglu.com

Dragan Saric, NL

Tomorrow Hotel

14,8 x 21 cm, 202pp
Japanese binding, hardcover in an envelope

@saricdragan
dragansaric.com

Bojan ‘Chibsterr’ Nikolic, GB/BA

Raw Data

14.8 x 21 cm, 110pp
perfect binding, hardcover

@chibsterr
chibsterrphoto.com

Anya Belka, RU

a book about break dance

13 x 17 cm, 212pp
open spine, hardcover

@belkasvao
belkasvao.com

Justin Maxon & Dr. H. “Herukhuti” Sharif Williams, US

Chester: Staring Down the White Gaze

20 x 23,5 cm, 272pp
saddled stitched booklets, loose sheets bound by rubber band

@justinmeadmaxon
justinmaxon.com

Anthony Camargo, VE/CO

La cosa cambió de color

11,5 x 15,4 cm, 70pp
die-cut hardcover

@anthonycamargo7

Anton Röntz, DE

Zenit

18 x 24 cm, 48pp
spiral binding, hardcover

@antonroentz
antonroentz.com

Kunstakademie Münster, DE

Sollbruchstelle

23,5 x 29,7 cm, 88pp
perforated pages, perfect binding, perforated softcover

kunstakademie-muenster.de

Claire Cocano, FR

Rue Désiré Chevalier

19 x 26 cm, 192pp
hand-sewn, hardcover,French-fold dust jacket 

@claire_cocano
clairecocano.com

Andrea Alessandrini, IT

Dreaming your dreams

21 x 27,5 cm, 128pp
softcover with flaps

@andreaalessandrini_net
andreaalessandrini.net

Uta Genilke, DE

Sacre

17 x 24 cm, 76pp
open spine, softcover

@pik.dame
genilke.com

Fernanda Requena, CL

Pain / Dolor

15 x 21 cm, 112pp
open spine, hardcover

@fernandarqn
fernandarequena.com

Federica Mambrini, IT

L’albergo della lontananza / Far far stay

21 x 29,7 cm, 296pp
perfect binding, softcover

@eimraa
federicamambrini.com

Minoo Hassanzadeh, IR

Zone C

21 x 28 cm, 36pp
open spine, die-cut softcover

@minoo.hassanzadeh

Nora Börding & Anne Speltz, DE/LU

The forgotten stories of the ‘Boat Driver’

25 x 35 cm, 384pp
Swiss binding, softcover

@nora_boerding  @anneandthesun
noraboerding.de  
anne-speltz.de

Lisa-Maria Gruber, AT

Vermilion Fingertips

17 x 24,5 cm, 88pp
open spine, hardcover, textile jacket

@liemarie__
liemarie.com

Archivo de la Memoria Tran Argentina & Flor Aletta, AR

Belén, María Belén

21 x 24,5 cm, 143pp
spiral binding, hardcover

@archivotrans
archivotrans.ar

Yuan Lin, CN

Duration

18 × 26 cm, 138pp
three sewn signature booklets bound together, libretto binding

Ashutosh Shaktan, IN

Nobody knows how come the hum, hum…

20 x 24 cm, 160pp
hardcover

@naqshfariyadi
ashutoshshaktan.com

Mahtab Ghaedi, IR

41 N

15 x 21 cm, 112pp
hardcover

@ghaedi_mahtab

Penelope Thomaidi, GR

Under Pressure

18 x 24 cm, 192pp
open spine, softcover, dust jacket

@penelopethomaidi
penelopethomaidi.com

Jan Schenk, IT

Nur der Pudding…

13 x 24 cm, 228pp
hardcover

@schenk_jan

Blood Becomes Water, BG/BE

The Setlist Collection

29,7 x 21 cm, 104pp
perfect binding, softcover

@blood.becomes.water
bloodbecomeswater.com

Clara Simas, BR

Meu pai morreu três vezes /
My father died three times

17 x 24 cm, 200pp
perfect binding, softcover

@clrasims

David Mozzetta, IT

Housing

14 x 20 cm, 96pp
perfect binding, softcover, dust jacket

@davidmozzetta
davidmozzetta.com

Michele I Arazi, IT/US

Land of

27 x 19 cm, 96pp
flush-cut hardcover

@michelearazi
michelearazi.com

Olga Bushkova, CH

A Photo at 12

16 x 20 cm, 172pp
open spine, softcover

@misha_olya_bushkovs
olgabushkova.com

Carla Corminboeuf, CH/PE

Eclats

21 x 29 cm, 66pp
Japanese-fold, Swiss binding, dust jacket 

@gascorr

Laura Fiorio, IT

Reinventario

17 x 23 cm, 96 pp + 12pp
open spine, softcover, booklet

@laurafioriop
laurafiorio.com

Philip Welding, GB

A Colossal Waste of Time

15,2 x 22,8 cm, 104pp
open spine, softcover

@philipwelding
philipwelding.co.uk

Marie-Luise Kolb, DE

Weißes Gold

15,5 x 23 cm, 132pp
hardcover, belly band

@marieluise.kolb
marieluisekolb.de

Zaki Habibi, ID

Abandoned and Beyond

19 x 24 cm, 60pp
hand-sewn, softcover, dust jacket 

@habibizaki

Dave Hebb, US

The Poverty of Excess

35 x 50 cm, 12pp
newspaper

@therealdavehebb
davehebb.com

Monon Muntaka, BD

Texture & Mixture

17,2 x 22,9 cm , 92pp
open spine, hardcover

@mononmuntaka

Friedrich Ludmann, DE

Japan 95

18 x 27 cm, 45pp
Japanese binding, die-cut felt cover

@friedrichludmann
friedrichludmann.com

Yan Miranda Mayer, CH/BR

Reverie Rebirth

29,8 x 36,3 cm, 44pp
spiral binding, softcover

@arctic.night

The Dummy Award Catalogue 2025

For the third edition of our catalogue presenting the 50 shortlisted books we asked acclaimed photobook-designer Melanie Mues to take over. We love the result. It’s amazing! Thank you Melanie! 

Distributed for free at all exhibiting events and venues, to design & photography faculties and of course at Rencontres d’Arles and Paris Photo. 

Best seen in print (with neon magenta ink!)– but alternatively as a download. Have a look!

generously supported by:

Jury Statement: 

 

This year’s Dummy Award revealed a fascinating paradox: photobooks have never been more polished, yet their essence remains raw, instinctive, deeply personal. Across hundreds of submissions, we saw a striking trend: photobooks as spaces of catharsis, where authors confront personal struggles, past wounds, and fragile identities. The book format becomes not just a means of storytelling, but a tool for self-exploration, healing, and even reinvention.

Refined outside, raw inside


This year’s selection also demonstrated an impressive breadth of perspectives, reinforcing the truly international nature of the Dummy Award. The diversity of voices was not something we had to seek out—it emerged naturally. From handmade zines to meticulously designed objects, from deeply personal narratives to broader cultural reflections, the photobook continues to transcend borders. The medium is, in many ways, a photographic Esperanto, allowing authors from vastly different realities to share a common space.

One world, many voices


Material choices were striking. Many dummies already felt like finished books, blurring the lines between prototype and publication. Spiral bindings, leporellos, and intricate sewn pamphlets dominated the selection, though we often wished for bolder cover choices—after all, if a dummy embodies the author’s vision of a final book, then… Make it count.

Be brave! Be bold!


A recurring theme in many projects was the use of archives, particularly family archives, as a means of storytelling. The desire to reinterpret, reclaim, or recontextualize personal and collective histories remains a strong force in photobook-making. We also noticed a continued tendency to depict the other—a recurring exploration of identity through external perspectives, raising questions about representation and authorship.

Memory speaks, identity shifts

While AI-generated imagery is becoming an increasingly common tool in visual creation, we were surprised to see very little of it in this year’s submissions. Instead, most projects leaned towards traditional photographic practices. In a time of global unrest, documentary and explicitly political works were less present than one might expect. Instead, many projects turned inward, exploring memory, family archives, and personal geographies. Perhaps this reflects the times—a moment of pause before artists turn their gaze outward once again.

More soul, less code

And yet, amidst all this introspection, one thing brought us unexpected joy: humor. From subtle irony to outright laugh-out-loud moments, a refreshing sense of playfulness ran through many books this year. Perhaps this, too, is a form of catharsis—proof that even in times of reflection, there’s always room for lightness.

Serious work, playful mind


The Dummy Award 2025 Jury
Amandine, Frederic, Lucia, Luis, Matthieu, Melanie, Ufuk, Yvonne

 

Meet the 2025 Jury*

Shortlist Jury Session at the PhotoBookMuseum in Cologne, 08.03 2025

This year’s jury consisted of a diverse group of professionals from the photobook industry, including a curator, designer, editor, publisher, photographer, collector, and printer, all together brought a wealth of expertise to the table. The jury came together in Cologne on the 8th of March 2025.

was introduced to photography at the Vevey School of Photography. She quickly pursued hands-on professional training, refining her skills at a renowned publishing house before focusing on photography. Since 2018, she has been part of Images Vevey, first as Communications manager and now as head of Éditions Images Vevey, where she merges her passions for books and photography, overseeing editorial projects and the prestigious Images Vevey Book Award.

Photo © Oxana Guryanova

is a photographer, designer and photobook curator. He is artistic director of The PhotoBookMuseum in Cologne, wich he co-founded together with Markus Schaden in 2014. Frederic teaches photobook design at various universities and faculties in Germany (FH Dortmund, FH Hannover and DHBW Ravensburg).

Photo © Oxana Guryanova

Photo © Marina Rosa Weig

is a curator and visual historian. She is head of the photographic collection at the Rautenstrauch-Joest Museum in Cologne and a member of the artistic board of Internationale Photoszene Cologne. Her work focuses on decolonial practices in researching, collecting and exhibiting photography, contemporary approaches to archives and counter-image strategies.

Photo © Marina Rosa Weig

is a photographer, editor, lecturer and curator from Santiago de Chile. He has been member of the board of the International Festival of Photography at Valparaíso until 2015. He is the author of more than ten photobook and has founded the South American photo magazine Sueño de la Razón. Through Fundación SudFotografica, a nonprofit he currently chairs, he collaborates in the research of the Chilean photobook. 

is a picture editor and image collector. His artistic practice consists of recovering and republishing bodies of passed images with no market value or notion of authorship, that have lost the usefulness they once had. He recirculates and shares them in the form of exhibitions, books and online publications. He is the founder of the cultural consultancy Too many Pictures. 

Photo © Tom Jamieson

is a book designer and the founder of award winning East London design studio Mues Design. 

Photo © Tom Jamieson

studied photography at Hofstra University, NY. Since 2007, he has been part of the core team at MAS printing house as the second-generation manager and partner. In 2010, he founded MASA, a publishing house specializing in facsimiles, photobooks and art-books; which has since published more than 40 books. He is a photography enthusiast and an avid photobook collector.

is a photographer, researcher and founder of the independent space Magazzini Fotografici in Naples where she serves is it’s artistic director. She is a multidisciplinary artist who combines words and images to create layered works. Her work reflects on the nature of the photographic medium and its use in narrating and marking time and memory.

The World Tour 2025

Two boxes with the 50 shortlisted dummy are traveling the world right now! Worldwide dummy exposure guaranteed!

Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07. – 6.07.2024
Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07. – 6.07.2024
Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07. – 6.07.2024
Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07. – 6.07.2024
Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07. – 6.07.2024
Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07. – 6.07.2024
Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07. – 6.07.2024
Galerie Fotografic, Prague, Czech Republic → 29.07 – 13.09.2025
Galerie Fotografic, Prague, Czech Republic →  29.07 – 13.09.2025
Galerie Fotografic, Prague, Czech Republic → 29.07 – 13.09.2025
Galerie Fotografic, Prague, Czech Republic → 29.07 – 13.09.2025
Galerie Fotografic, Prague, Czech Republic → 29.07 – 13.09.2025
Galerie Fotografic, Prague, Czech Republic → 29.07 – 13.09.2025
Galerie Fotografic, Prague, Czech Republic → 29.07 – 13.09.2025
Galerie Fotografic, Prague, Czech Republic → 29.07 – 13.09.2025
Fotofestiwal, Łódź, Poland → 12.06.-22.06.2025
Fotofestiwal, Łódź, Poland → 12.06.-22.06.2025
Fotofestiwal, Łódź, Poland → 12.06.-22.06.2025
f2 Festival Dortmund, Germany → 12.06. – 15.06.2025
f2 Festival Dortmund, Germany → 12.06. – 15.06.2025
f2 Festival Dortmund, Germany → 12.06. – 15.06.2025
f2 Festival Dortmund, Germany → 12.06. – 15.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Rautenstrauch-Joest-Museum Cologne, Germany → 16.05. – 10.06.2025
Istituto Italiano di Fotografia Milano, Italy → 05.05. – 23.05.2025
Istituto Italiano di Fotografia Milano, Italy → 05.05. – 23.05.2025
Istituto Italiano di Fotografia Milano, Italy → 05.05. – 23.05.2025
Istituto Italiano di Fotografia Milano, Italy → 05.05. – 23.05.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025
PUK#20 at Goethe Institute Sofia, Bulgaria → 03.04. – 06.04.2025

Tour dates


PUK#20/ Goethe Institute , Sofia, Bulgaria → 03.04.–06.04.2025

Istituto Italiano di Fotografia, Milano, Italy → 05.05.–23.05.2025

Rautenstrauch-Joest Museum, Cologne, Germany → 16.05. – 10.06.2025 

f2 Festival, Dortmund, Germany → 12.05. – 15.05.2025

Fotofestiwal, Łódź, Poland → 12.06.-22.06.2025

Grisart, Barcelona, Spain → 27.06.-11.07.2025

Rencontres Arles – Pop-Up hosted by the Fotobus , Arles France → 01.07.-6.07.2024

Galerie Fotografic, Prague, Czech Republic →  29.07 – 13.09.2025

Wiesbadener Fototage, Wiesbaden, Germany  →  13.08 – 28.08.2025

Penumbra Foundation, New York, United States  →  10.09 – 14.09.2025

International Centre for the Image / PhotoIreland, Dublin, Irland  →   27.09. –26.10.2025

Universidad Diego Portales , Santiago, Chile →  02.10 –17.10.2025

Goethe Institute, Bangkok, Thailand  →  November 2025

Centro da Imagen, Mexico City, Mexico → 24.10 – 02.11.2025

Lumenvisum, Hong Kong  →  December 2025

Muntaka Projects / Goethe Institute, Dhaka, Bangladesh  →   January 2026  (tbc)

Pentas Buku @ Matawaktu Foundation, Jakarta, Indonesia  →  February 2026
+ Dummy Road-Tour to Bandung & Yogjakarta


Subject to change – check latest tour dates on Instagram

If you are organising a festival or run an institution or art space and you are interested in hosting the Dummy Award Shortlist please get in touch with . We are especially looking forward to add locations in Africa and North/South America to our world tour.

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